Download Movie Red Sparrow: The Thrilling Spy Story of a Deadly Seductress
"Red Sparrow" is a long slog, almost 2 1/2 hours, but it is interesting as another in a line of female-centric spy thrillers that began in 1990 with Luc Besson's "La Femme Nikita." The idea is that a woman's power is double-edged. As a sparrow, a spy recruited based on her attractiveness, Lawrence's Dominika is trained to use her body and feminine wiles as a weapon to entrap men. But that training, for the most part overseen by men, enslaves her, both physically and psychologically. That idea isn't just the subtext of "Red Sparrow." It's explicit in every scene. Her leering uncle, a Russian intelligence higher-up, played by Matthias Schoenaerts, essentially pimps her out after a career-ending injury. She goes along to pay her fragile mother's medical bills. Another higher-up lectures her, your body belongs to the state. Given the amount of nudity Lawrence does, it belongs to the studio, too, though she was obviously better paid than her character.
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The minimal suspense comes from whether Dominika will be able to take back ownership of her body and what will happen if she falls in love with the target of her mission, as agents in these sorts of movies tend to do. He's Nate Nash, an American CIA operative played by Joel Edgerton. And Dominika's assignment is to ascertain the name of a mole way up in the ranks of Russian intelligence. She travels to Vienna, where she puts on a bathing suit to catch his eye. They meet again at a reception.
EDELSTEIN: That's a fascinating scene. She's there incognito, but since he knows who her uncle is, he's been onto her from the get go, which means he knows she's a sparrow, and she knows he knows. But she goes on with the mission as if he doesn't, which means she could pretend to go over to his side to get the name of the mole, which means he might guess she's only pretending and play her, which means she might guess what he's doing and play him back. You see the problem here. Figuring out whether someone is a double or triple agent isn't a brainteaser. It's a brain irritant, especially when the script is so murky and convoluted. The novel by Jason Matthews is cleaner without so much jumping around. I don't know why there are so few sparks between Lawrence and Joel Edgerton. It feels as if scenes were cut, though I wouldn't want "Red Sparrow" to be any longer.
The movie has its good points. Lawrence's Russian accent is actually respectable. Matthias Schoenaerts makes the uncle, whose nickname is Vanya, unnervingly slippery. And as a Russian general, Jeremy Irons does his amusing impersonation of Boris Karloff after embalming. I liked the sly lesbian subtext Charlotte Rampling gives to Dominika's icy trainer. There's a graphically violent scene near the end that the director, Francis Lawrence, stages well. But the movie isn't involving, so you have nothing to do but grimace at one bad note after another and think the Russians could have devised a better plot. And maybe they have.
In Budapest, Dominika lives with another sparrow named Marta Yelenova, and is supervised by SVR station chief Maxim Volontov. Dominika makes contact with Nash, who quickly determines she is a Russian intelligence operative and attempts to convince her to defect.
After Jason Matthews' book Red Sparrow was published in 2013, 20th Century Fox purchased the film rights, and signed Francis Lawrence to direct. Matthews said the idea of "sparrows" and a "sparrow school" was based on State School 4 in the Soviet Union, though Russian "sexpionage" is now done by women contracted outside of spy agencies. The Russian concept of kompromat was also influential. Francis worked on adapting Matthews' book in 2015, and has said that at the time, he had reservations about the timelines of a Cold War story.
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Alonso Duralde of TheWrap criticized the derivative story and the lack of chemistry between Lawrence and Edgerton, calling the film "neither intelligent enough to be involving nor fun enough to be trashy." Michael Phillips of the Chicago Tribune gave the film 1.5 out of 4 stars and said, "Half of the Red Sparrow audience will spend at least part of the running time fighting off memories of Salt and Atomic Blonde and the Black Widow storyline from The Avengers. The other half, meantime, will wonder when spy movies became quite so punishing." Simran Hans of The Guardian found the film to be sexist, writing that "it busies itself with the grim surface pleasures of ogling its central character as she is degraded in every way possible."Emily Gaudette of Newsweek called the film a "sadistic torture porn" and went on to ask "how many naked women need to be assaulted in a film before a director has made his point? ... for Francis Lawrence, the answer is a pile so big it's impossible to tell the victims apart."
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I am so glad to see many reviews which give the right value to this movie. 'Red Sparrow' had been castigated for unnecessary violence and sexual scenes and implications. This may be true, and I have to admit some of the scenes and narratives are too disturbing, not just hard to watch but hard to comprehend. Sexpionage itself is uncomfortable topic because it exploits and undermines the dignity of sex. However, the story involving Dominika's double espionage and double identity and Jennifer Lawrence's portrayal of her are so entertaining and perfect. The whole 140 minutes pass by really fast while focusing on the path of finding a mole, on figuring out where Dominika's loyalty lies, and on her relationship with Nash and his uncle. The twist at the ending especially deserves the compliment because it signifies her loyalty, her decision, her resolution, and her revenge. Perfect ending for those who has been rooting for her for more than two hours. 'Red Sparrow' is totally worth of watching it again. It has received all the hate it does not deserve.
In honor of the new J.Law movie coming out soon, we read the book Red Sparrow by Jason Matthews and now we're ready to get a discussion going! If you haven't read the book, but still want to see the movie, here are free tickets to a pre-screening on 2/22 (update: tickets are now SOLD OUT). Onto the q's:
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Something tells me that the Academy will snub OJ: Made in America. Lots of these docs make an appearance on TV at some point in their roll-out, but the number of people who have publicly questioned whether OJ is a movie or a miniseries might just make them take a stand against it.
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